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Introducing Ted Blackman

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My good friend Ted Blackman has finally created a blog.

Ted and I go waaay back. When I first started in animation he was already a star talent, but I quickly discovered that Ted was also easy to get along with, versatile, and funny.

Ted was a crack-up to have at the studio, he was always making caricatures of his fellow artists, and drawing funny studio situations -- like when the air conditioner was stuck on FREEZING. He did a cartoon of himself trying to warm himself by using several drawing lamps at his desk.

Ted really opened my eyes about how a cartoonist should see the world. Meeting him had a profound impact on me, thanks Ted!

Please welcome my friend by paying him a visit at Crotchety Comics and leave him a comment.

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Open Season

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We have to go back a few years for these. When I first came to Sony Pictures Animation, I started working on Open Season as a character designer. My job was to develop the Boog character's design -- before the script was set. I did a series of sketches trying to figure out who this nine foot, 1,100 pound grizzly bear was.

Boog was raised as a house pet, and he's sort of a naughty child. The idea here, as Boog attempts to raid the cookie jar, is that he is completely unaware of his size and power.

I did a lot of exploration with the designs and attempted to move him around to get a feel for the way the character would move.

Once I had gotten a good feel for the character, I did some turns. In the end, I gave him fur-like pants that gave him a britches-feel to his fur, and large forelimbs with tiny paws and delicate claws that act like fingers.

Ultimately, my friend Carter Goodrich came on as the character designer, and I took the position of art director on Surf's Up. Despite the changes in the style and design for Boog, I was glad to see the ideas remained the same and made it into the final version.

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Jolly the Chimp

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When I was a kid there was this toy called the Jolly Chimp. It was a frightening chimp doll that would bang its cymbals, then bare its teeth while, with eyes bulging out of his sockets. It didn't seem like a kid's toy, and I think that's what the allure was. I never owned one as a kid, but my cousin had one, and I was mesmerized.

This toy has now become sort of iconic in that it's been featured in various movies, Close Encounters, Monkey Shines, and now in Toy Story 3. Ironically I drew this before watching the movie.

(OK, a side note, I'm such a fan of this nightmarish toy, as an adult I've collected and refurbished several of them and have two, mint, still in the box. There, I've said too much already.)

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Fourth of July Fireworks

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On the Fourth, I was sitting out by the hotel pool while my kids were swimming. There were a lot of families, the pool was a full of screaming kids.

Then two young ladies, about 17-18 years old, came out to the pool. I over heard one say to the other, "This is boring, there's no one here!" That comment struck me so funny, I guess the mobs of families and screaming kids didn't count.

They only stayed a moment, but not before I blocked in this sketch. Obviously I had to finish it in their absence, but what a moment!

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